Sunday, April 12, 2009

Bloody Diamonds !


"Blood Diamond" has generated a lot of interest, on account of its focus on "Conflict Diamonds" - i.e stones from war torn African Nations. It's long been an open secret that most of the rebellions and conflicts in some of these states are the handiwork of diamond cartels and arms dealers. The film symbols an admirable intention by director Edward Zwick (The Siege, Last Samurai) to bring these issues into the mainstream conscience.The Plot (spoilers abound!!)

Solomon Vendy (Djimon Hounsou) is a fisherman of a tribal village in the interior of Sierra Leone. Rebels raid his village capturing him to work in the diamond fields. He comes upon a large diamond and buries it before Government troops attack the rebel stronghold and he is arrested alongwith his erstwhile captors. While in jail, his secret is learnt by Danny Archer (DiCaprio), ex-soldier / Arms & Diamond Dealer. Danny owes money to the Arms merchants and plans that this large stone will settle his debts and leave Africa for good. Danny finally coaxes Solomon to be partners and set out in search of the hidden stone. They are aided in this trip by journalist Maddy Bowen (Jenniffer Connelly) who manages to get the duo through barricades and checkposts posing as fellow journo's. Meanwhile the rebel commander has taken Solomons son under his wings and turns him into a child soldier fuelled high on drugs and aggression. The duo finally manages to retreive the diamond & rescue Solomons son. Danny is fatally injured and chooses to die in his adopted homeland. Solomon and his son escape to the west and with Maddy's help exposes the diamond cartel Van Der Kaap (De Beers?). The film ends with Solomons speech at the UN.

My take
The film touches upon sensitive issues such as diamond mines in war torn Africa, the arms dealers who play both the sides, Child Soldiers kidnapped from home and bred on drugs, alcohol and aggression to sustain the "revolution" as well as a hypocritic West that mouth's inanities while being the major consumer of the end products. However these issues are just skimmed by on the surface, so that we get to know them, but not understand and also does not provide any solutions.

Though nominated for Oscars, both DiCaprio and Honsou fail to impress. For one thing, Leo is too young for the role [though he claims to be 31 in the film, he is actually 33 !!!] for the role of a battle weary soldier which would've suited a middle aged actor more. But lets face it, a Val Kilmer or Billy Bob Thornton wouldn't have the same draw at the BO, right? And Hounsou reprises mannerisms from his earlier films, may it be his debut Amistad or Gladiator. Connelly looks beautiful, and shouldn't be wearing a shirt the way she does, especially in a war zone.
There are quite a few typical hollywood action sequences, which could have been benefitted more if they were hard hitting in the vein of "Saving Private Ryan" or "Platoon".

Great theme and intentions are let down by caricatures i.e; the mercenary with a conscience, the struggling native and the sensitive foreign journalist. Add to the mix a shoddy script with story telling at its formulaic hollywood best, [protagonists bonding over the course of a journey, double crossing superiors etc.] and the film ends up being a mere novelty, nothing pathbreaking or outstanding here.

Departed vs. Internal Affairs

High expectations were aroused when it was announced that the much acclaimed HongKong crime drama "Internal Affairs" was to be remade by none other than Martin Scorsese. The anticipation heightened when a top of the line ensemble cast including DiCaprio, Damon, Wahlberg, Alec Baldwin, Martin Sheen & Jack Nicholson joined the venture. The original (which I caught on Star Movies), was a low budget (by Hollywood standards) thriller, which by way of skilful story telling, remarkable cast (against type) and riveting performances drew acclaim from movie afficionado's the world over. So I was not wrong in expecting that Scorcese and his A-Team would take it to another level altogether.

Synopsis
Criminal kingpin Costello (Nicholson) entices the parentless Colin (Damon) into the web of vice early on and through to his graduation from the Police Academy. Sullivan on becoming a detective turns informer for Costello and also advances his career in bargain.
On the other side is Billy (DiCaprio) who comes from a dysfunctional family determined to be a success. However on graduation he is sent undercover by Captain Queenan (Sheen) & Sergeant Dignam (Wahlberg). It isn't long before both sides realize that there're traitors in their midst.
The treachery and double crossing moves speed up till almost everybody is bumped off by the end.

The adaptation deserves kudos for the transposition of the premise from HongKong's seedy alleys to the Irish dominated Boston.
The dialogues have bite and there're a few excellent performances.
A guitar infested score (Howard Shore) & Classic rock tracks (Rolling Stones, Lennon, Allman Brothers etc) spice up the mood.

Performances
A good performance from DiCaprio, who only - apart from Nicholson - has the screen time to do anything worthwhile.
The much hyped Nicholson just reprises his sleazy scheming persona aiming to fascinate, but only succeds at irritating.
Damon says the f#$% word quite often, looks too neat for a bad guy and is also not given much to play with.
Wahlberg stands out amongst the stellar star cast with an attitude rivalling Nicholson.
Sheen's is the only character which bears justice to the original, and he is apt for this. Baldwin too suits his character to a T.


Where they faltered
The original was excellent in its depiction of a cat and mouse game between the cops and the cons, omnipresent, seldom in the open and erupting skyhigh upon the invevitable confrontations. The Hollywood outing sees the brilliant narration reduced to a mechanical recital, with the script seeming hurried toward the end.
The taut & tense feel of the original is absent. Covert exchange of information is reduced to plain SMS'ng and at times, open phone conversations.
The interaction between the characters (due to the overpopulated cast?) is minimal. [Wahlberg's and Baldwin's characters are added onto the original storyline and severely hampers the narrative.]
The script is shoddy, with many loose ends. One major blooper is the one in which Queenan is thrown from the roof, and the Police surveillance team is confused as to the nature of the object even as Billy approaches the body and breaks down.
Surprisingly; what Hollywood does best, Action is given the go-by. There are atleast 3 major scenes [the tracking and killing of Queenan, the ensuing shootout, Costello's fatal showdown] that could have benefitted from spicing up ( Heat ??).

It would be no surprise if the Departed bags Oscars for most of the categories it has been nominated for, especially Scorsese, but it would be an anti-climax if the celebrated director after being sidelined by the Academy for so long, wins for a film well below his standard.

You might very well enjoy this film, but you'll definitely be better off if you watch the original. And be assured that this'll turn up here with Salman Khan or Imraan Hashmi.

Casino Royale - You know my name !

"You know my name" - The title song from CASINO ROYALE by Chris Cornell.

Much has been made of the re-invention of the latest Bond Outing, which is undoubtedly grittier and dark than ever before. The title song too is a reflection of that.

None of that iconic signature theme first heard in Dr.No and immortalized in all later ventures.

Sedated animation replaces the de rigeur skimpily clad female figures in the title sequence.

A definite departure from the recent movies of the Brosnan era which all had female vocalists

(Tina Turner in Golden Eye,

Sheryl Crow in Tomorrow Never dies,

Shirley Manson led Garbage in The World is not enough &

Madonna in Die another Day).

Instead we have Alternative Superstar Chris Cornell (Temple of the dog, Soundgarden & Audioslave) teaming up with veteran movie composer David Arnold. The outcome is unique befitting the movie. Much like the pairing of Craig & Campbell on screen.

Starting off in Cornell's typical adult rock fashion with chiming guitars and brooding vocals, the track wastes no time building up to a heavy Chorus. The ominous groove that accompanies the line "The Odds will betray you" seems to be the unofficial theme for the movie, popping up whenever there's anticipation or intrigue.

In the final roundup, the song ends up very much like the film itself. Less melodic but full of energy and heaviness, quite a departure from the usual glamorous Bond fare. A close second to Paul McCartney's Live and Let Die.

Not every one's mug of beer, but an invigorating dose nonetheless which might not stir, but will definitely shake you.

Trivia : The song doesn't find a place in the official soundtrack. It will be included in the soon to be released solo album from Cornell. Multiple versions are floating around the internet ranging from pure acoustic to a full fledged one featuring strings and horns !!!

Lyrics :

If you take a life do you know what you'll give?

Odds are, you won't like what it is

When the storm arrives, would you be seen with me?

By the merciless eyes of deceit?

I've seen angels fall from blinding heights

But you yourself are nothing so divine

Just next in line

Arm yourself because no-one else here will save you

The odds will betray you

And I will replace you

You can't deny the prize it may never fulfill you

It longs to kill you

Are you willing to die?

The coldest blood runs through my veins

You know my name

If you come inside things will not be the same

When you return to the night

And if you think you've won

You never saw me change

The game that we all been playing

I've seen diamonds cut through harder men

Than you yourself

But if you must pretend

You may meet your end

Arm yourself because no-one else here will save you

The odds will betray you

And I will replace you

You can't deny the prize it may never fulfill you

It longs to kill you

Are you willing to die?

The coldest blood runs through my veins

Try to hide your hand

Forget how to feel

Forget how to feel

Life is gone with just a spin of the wheel

Spin of the wheel

Arm yourself because no-one else here will save you

The odds will betray you

And I will replace you

You can't deny the prize it may never fulfill you

It longs to kill you

Are you ready to die?

The coldest blood runs through my veins

You know my name

You know my name

You know my name.


http://www.youtube.com/watch?v=PU7J5MSIr6U